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Saturday Night

July 10th, 2009

Teeny Tiny Drawers

Last Saturday night we went to IKEA.  It was all my idea.  I admit it.  I chose that time to avoid the queues.  We only went for a couple of desk tidies.

When you’re in there the trick is to follow the arrows.  Follow them and don’t deviate from the path.  Keep focused and don’t be tempted by the displays.  Don’t sit on the sofas and don’t rifle through the kitchen stuff.  Ever.

I don’t know what it is about that place.  The merchandisers must practise Voodoo.  There are not many places in the world where you’ll utter the words, “I can’t stand it anymore, I have to leave right now!” followed directly by, “Do you think we should get one of those duvet sets?”  And then after 30 minutes of following the arrows, somewhere between a pod chair suspended from the ceiling and a rocking chair made from recycled plant pots -  “Oh god, that’s it, I’m never going to get out.  I’m going to die in here.  I’m actually going to die in here.  How much are those bendy lamps?”

The final tally wasn’t too bad.  Two desk tidies, two waste paper baskets, three sets of patterned glasses and one small printer table.  Oh and one teeny tiny set of drawers for my desk.  Not quite sure yet what will fit in said drawers.  No doubt I’ll have to scrunch up the paper first to squeeze it in.  But it could’ve been worse, I suppose.

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How We Read

June 28th, 2009

Old books

We’ve probably all heard the arguments about whether, in the future, books will be replaced by devices such as the Sony Reader, the Kindle and other digital formats. But perhaps we’re looking at this in the wrong way. Perhaps what we should be focusing on is how our reading habits our changing and how publishers need to adapt.

I will never stop buying books. Never. As long as they print them I’ll buy them. Nothing can beat browsing a book shop on a Saturday afternoon and going home with an armful of books to read. However, as soon as the Kindle hits UK shores I’ll be one of the first in the queue. I don’t think it will replace books. If anything, it could have a positive effect on book sales.

In an article in the US version of Wired (June 09, ‘The Future of Reading’, p 50) Clive Thompson writes, ‘To save books, publishers must go digital – and let audiences unlock the potential of the written word.’ It’s understandable that publishers are reluctant to release their books in a digital format, where content can be copied and shared for free. But Thompson argues that if you get the model right then it could boost book sales rather than decreasing them.

When a news story goes online, readers can immediately begin commenting and share the link via email, text, Facebook and Twitter etc. We can even take snippets to refer to and discuss. This is much harder with books as they mainly exist as a hard copy format. This sharing of and commenting on books isn’t really a new concept. We’ve been annotating and discussing books for years. Microsoft researcher Cathy Marshall found that many university students scour second hand books before buying them, to acquire the best annotations. Well, imagine if you could do this easily online. You could look up a specific chapter or paragraph and as well as accessing the book, you could access other people’s annotations and discussions. Thompson notes that ‘book nerds’ are already working on a XML-like markup language that would allow for this kind of linking.

But what about the authors? What about the publishers? Well again this comes down to how we read. I often read by author. I find a book that I really like and then read other titles by that same writer. But what I really like is recommendations. My husband buys books for me for birthdays and Christmas and they’re always my favourite gifts. I love to find out what he’s chosen for me. If a friend comments on a book and says how good it is, it’s likely that I’ll look it up. The same is true of ‘virtual friends’. If someone on Twitter (not just anyone, I might add, but someone whose opinion I trust and whose interests are similar to mine) tweets about a book they’ve just read and enjoyed, especially if there’s a link, I’ll check it out. In fact Thompson notes that for the few authors (most of them sci-fi writers) that have given away digital copies of their books, their book sales have increased as a result. Why? Because the books have been discovered by more people.

Reading for me is a solitary activity and one of the few times that I don’t have to engage with other people. I don’t want to change that. But wouldn’t it be great if I could share my thoughts and views, in the ways suggested above, with other like-minded people?

In the Guardian this week, Chris Power wrote about The Book Seer website. It’s very simple. You type in the last book you’ve read and the writer and The Book Seer will make a number of recommendations for you. Results are pulled through from Amazon and Library Thing. I had a go myself and the results are quite surprising. I typed in ‘The Little Stranger’ by Sarah Waters, which I’m still reading (and enjoying very much by the way). It only returned one other Sarah Waters novel, ‘The Night Watch’ which is set a few years earlier than The Little Stranger. The others were all different. One of the results was ‘The Suspicions of Mr. Whicher: or the Murder at Road Hill House’ by Kate Summerscale, which is already on my book list. The Book Seer is just a bit of fun but it illustrates my point.  If as research suggests, the future of digital is in creating relationships and trust, then traditional publishers could be missing a trick.

I’ll leave you with a quote from Stephen Fry, via Twitter. It’s his response to the Kindle replacing books.

‘This is the point. One technology doesn’t replace another, it complements. Books are no more threatened by Kindle than stairs by elevators’. (Stephen Fry, Twitter, 11 March 2009)

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Rock Star Physicist Launches Book at Science Museum

June 25th, 2009

Why does E=mc2?

Now that’s an intriguing opener to a press release.  The rock star physicist is Brian Cox, formerly of D:Ream fame and currently splitting his time between experimental physics in Manchester and the CERN labs in Geneva. Along with co-writer Jeff Forshaw, who like Brian is one of the youngest professors in the UK, he has written a book entitled ‘Why Does E=mc2? (and why should we care?)‘. The book launch has been organised by Blackwell bookshop and will take place on July 7th at the Museum Of Science And Industry.

Launch organiser Ian Carrington commented, ‘The book makes physics accessible for non-scientific people like me. It should be a fascinating talk by two award-winning young professors. I’m excited because this book is totally in keeping with the spirit of Manchester Science Festival: making science living, breathing fun for everyone.’

A couple of the last year’s MLF events overlapped with the Science Festival and I have to say that I enjoyed them very much. And I think I would fall into the category of non-scientific people.

Details:

What: Book Launch | Why Does E=mc2? (and why should we care?)
Where: Cardwell Auditorium at the Museum of Science and Industry (Liverpool Road, Castlefield, Manchester M3 4FP)
When: Tuesday July 7th 7.15 – 9.15pm
Cost: £1, redeemable against one copy of the book on the night
More Info: Blackwell University Bookshop, Precinct Centre, Oxford Road, Manchester (telephone 0161 274 3331)

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The Cemetery

June 24th, 2009

We went to the cemetery on Saturday.  It was very gloomy after Stockport and all the blue balloons and Father’s Day signs.  It rained.  You never quite get used to visiting a grave.  The removal of dead flowers, the tearing up of the grass which grows up to the plinth.  And then the splosh of the water bottle to clean the marble and get rid of old leaves and the pieces of plant that stick to it.  My dad never was one for flowers.

As far as graveyards go Agecroft is pleasant enough.  It is beautifully maintained and wherever you look there are flowers and garlands.  Some of the plots are quite crowded with statues, lanterns, photographs in plastic sleeves, linked fences and teddy bears.  At one time I would have hated it.  Thought it gaudy even.  But not now.  When I walk through the cemetery and hear the wind chimes and glance at the tributes and small tokens, I understand.  They can’t let go either.

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Hay on Sunshine

June 8th, 2009

The Guardian Hay Festival 2009

The sun shone on Hay last week.  It was our first time at the festival and we had a grand time. The deck chairs were out on the lawn and there was a great line up for the last few days. Of course our phones wouldn’t work. And so I couldn’t access email or the internet. But once I’d climbed down from the hotel ceiling I realised that perhaps this wasn’t such a bad thing. Although slightly enforced, it was a total break from work.

David Crystal

On my bookshelf I have a well-thumbed reference book called ‘Rediscover Grammar’. I’ve had this since sitting my A-Levels and it has proved extremely useful over the years. It contains everything from noun phrases and subordinate clauses to adjectives and personal pronouns. The book is written by linguist David Crystal and I was thrilled to discover that he was speaking at Hay and promoting his new book, ‘Just a Phrase I’m Going Through: My Life in Language’. I realise that may sound a little dry but I really like this stuff.

The format for the majority of events was pretty much the same. The writers read from their books, answered questions from an interviewer and then took questions from the floor. David Crystal’s talk was different. He spoke on his own, engaging the audience with funny stories and later took questions. In fact in places it was more of a performance than a talk. He spoke well, engaging the audience and making them laugh. Well, all except Lord Levy who was already preoccupied with landing helicopters.

Crystal described his book as a cross between a memoir and an autobiography. Personal recollections combined with factual content. It all starts, he explained, with a phone call. And went on to describe how he found himself in some of the world’s troubled spots. He spoke of shootings, assassination attempts and of sex. Of Dublin, Israel, Chile and Brazil. And of the Forensic Phoneticians who worked on the infamous Jack the Ripper tape. All fascinating stuff.

The talk ended with a mock phone call from the British Council suggesting a trip to the Helmand Province in Afghanistan.

More information: www.davidcrystal.com

The Guardian Hay Festival 2009

Kate Atkinson

Kate Atkinson had some interesting insights into the ‘process of writing’, though she shuddered at using the phrase. At the start of a novel she doesn’t know the plot or how it ends. This ‘discovery’ is what she enjoys most about writing and explained that if she already knew the ending then there would be no reason to write the book.

Atkinson talked about an ‘unconscious’ process and of ‘writing through her fingers’ and how the novel comes together as she types. From start to finish her novels usually take about two years to complete.

Genre isn’t something that Atkinson thinks about when writing.  This is something for other people to decide.  She went on to talk of her dislike of the whole publishing process and confessed that if she could write without having to be published then she would.

Kate Atkinson read from her novel ‘When Will There be Good News?

The Guardian Hay Festival 2009

Sarah Waters

Sarah Waters is one of my favourite writers. There’s something about her writing. She transports you to a different place and time. I think it’s in the detail. She researches thoroughly, from buildings to food to clothing and the way people speak. Research, she explained, is one of the most enjoyable parts of writing.

Her latest novel, ‘The Little Stranger’, is set in post war Britain. It’s a novel about class and the decay of the upper classes. It’s about the end of a way of life and of new beginnings. It is also a ghost story or more precisely a ‘haunted house story’.

With the exception of ‘The Night Watch’, Waters meticulously plans her novels chapter by chapter. She makes decisions such as who will be telling the story at an early stage. However, like Kate Atkinson she talked of a kind of discovery in her writing and a sense of ‘finding’ the characters. She also talked of a consciousness of genre and of her novels ‘being in dialogue’ with other books.

More information: www.sarahwaters.com
Sarah Waters talking at Hay: www.guardian.co.uk/books/video/2009/may/20/hay-festival-sarah-waters

We went to other events of course but for me these were the highlights. All too soon we found ourselves back on the motorway with books, book bags, mugs and an embossed Moleskine (yeah we did). The 3G icon on my phone signalled the end of the weekend.

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Writers Online

May 10th, 2009

The first time I met a real life writer was when Maya Angelou came to Manchester a few years ago.  She was signing copies of her latest book in Waterstone’s and then later appeared at the Free Trade Hall.  I queued outside Waterstone’s to get my book signed.  I had this whole speech planned about how much I admired her and her writing but when it came to it I said, “Would you mind signing a copy for mum as well?”  I was totally in awe of her.

The same thing happened the year before last at Manchester Literature Festival.  I went to hear Maggie O’Farrell read from her novel, ‘The Vanishing Act of Esme Lennox’.  It was a great night, Anne Enright also read from ‘The Gathering’ which won the Booker Prize a few days later.  I waited patiently at the end of the talks to get my book signed and – nothing.  Again. I could only just about mutter my name.

There’s something about writers that for me is almost sacred.  They weave magic and connect with you in a way that no-one else can.  A book or a play or poem is a sort of bringing together of two people.  The writer brings the words, providing characters, structure and plot.  The reader brings his or her own experiences and past, providing a unique interpretation of the piece.  The bit in the middle is where the writing ‘lives’.

Given my thoughts on writers, I’m always fascinated to read about their everyday lives and their process of writing.  Mslexia and Waterstone’s Books Quarterly provide some great interviews.  And I love The Write Place on ‘The Book Show’ (Sky Arts) where writers show you around their study and talk about how they write. Apparently, Tracy Chevalier redecorates her room each time she starts a new novel.  All fascinating stuff.

I am also very interested in writers who blog.  Jenn Ashworth has a blog called Every Day I Lie a Little. I first became aware of her work last year at Manchester Literature Festival, where she won the prize for ‘Best Writing on a Blog’.  She also ‘tweets’ at http://twitter.com/jennashworth. In fact it was through Twitter that I became aware of her debut novel, ‘A Kind of Intimacy’ and I subsequently bought it, read it and enjoyed it very much.

At the same time as buying Jenn Ashworth’s book I also bought ‘Daphne’ by Justine Picardie.  This is a compelling read, which fired my interest in the Brontes once again.  I was doing some work at John Rylands Library a few years ago and came across some letters that Charlotte Bronte had written to Elizabeth Gaskell.  One letter in particular stayed with me as it described how the sisters travelled to London to meet their publisher for the first time.  You can imagine their publisher’s surprise when confronted with the Bronte sisters, instead of the men they thought they had been dealing with.  But I digress.  When I got to the end of Justine Picardie’s novel I found a link to her blog, which I’ve been reading with interest ever since.

I’m not sure exactly what the draw is.  Maybe that the writer has always seemed slightly anonymous up until now.  From the writer’s point of view it’s a means of valuable feedback direct from the reader.  I’ve always wondered what it must be  like when you finish a book.  It is published and sent out to book shops and you can’t grab it back.  You can’t edit it anymore.  It’s out there.  Yes there are reviews and feedback at literary events and signings.  But the idea of the reader interacting with the writer via a blog creates a whole new channel of communication and direct feedback on a much larger scale.

I’m going to Hay in a few weeks time.  Hope I’m not too tongue tied when it comes to the signings.

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Back to London

May 3rd, 2009

London Tube Station

Last week we went back to London.  It was a work thing and a flying visit.  Friday night stay over followed by an exhibition on Saturday.  It’s been nearly seven years since we lived in London, longer than the time we spent there.  I’ll always have a soft spot for the place and at times, when there is a lack of plays to be seen or when the departures board in Piccadilly Station spins round just when I’ve found Levenshulme, I’ll wish I was back there.

And so last Friday afternoon I found myself on a Virgin Pendolino train, on my way back to London.  I remember the first time I visited London.  It was the day of my interview at SOAS. My second visit was to find a place to live.  The first thing that struck me was the shabbiness of the approach to Euston Station. I mean this is our capital city and that’s not a great first impression. The same thought struck me again last week as I arrived just in time for rush hour. Incidentally, I love the approach to Manchester Oxford Road Station. As you come out of the main entrance and walk towards Oxford Road, you have that wonderful view of the Palace Hotel. But I digress.

Back to London.  Because of the exhibition luggage I was carrying with me, I decided to take a cab to the hotel in Belsize Park. I never took cabs when I lived there. I always took the tube. But you miss things that way and it gives you a slightly warped view of where everything is. So we trundled through the traffic through Chalk Farm, Camden and Mornington Crescent and on to Belsize Park.  It’s like being in a different country.  There are people everywhere.  Walking in the street, meandering in and out of shops, in cars, in buses, underground in the tubes.  It’s either a real buzz or extremely claustrophobic, depending on your mood.  The houses are different too.  Not as much red brick.

It was a tiring weekend. We went out for a meal to a Moroccan place in Hampstead on Friday night and then Saturday was taken up with the exhibition. By the time we made it home late on Saturday I was shattered.

I miss London. I do. I miss the shops in Muswell Hill, the theatres, the pubs in Hampstead, the ferry across to Canary Wharf and Greenwich, our old back garden with the crab apple tree and flat roofed sheds. Mostly I miss the choice. Yes, I’ll always have a soft spot for London.  But that’s all it is.  A soft spot.  Manchester is ingrained in me.  It’s in my blood and bones.  Samuel Johnson once wrote, ‘when a man is tired of London, he is tired of life’. But I expect a week of taking the Docklands Light Railway from Bank Station to Canary Wharf may have changed his mind.

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More Gloom at the MEN

May 3rd, 2009

I was sorry to hear that Sarah Hartley has left her position as the head of online editorial at MEN Media. Sarah worked at the MEN from 2001 and was instrumental in creating the newspaper’s website in 2005. She also blogged at the popular The Mancunian Way along with Adrian Slatcher and Paul Robinson, the future of which is now uncertain.  Sarah has become a familiar face within the digital industry both online and offline.

Like many people, I was surprised at the number of recent job losses at the MEN.  I understand that if there’s no money in the pot, there’s no money.   Newspapers have been hit hard by the recession and also by the way in which people now access news online. I first read about the cuts on Twitter, not in a newspaper. But a number of areas of the newspaper have clearly suffered, presumably as a result of these cuts.  Just what is going on with the South Manchester Reporter? I was reading a copy the other day from a few weeks back and spotted a number of errors in the first few pages. These were not small mistakes. They were glaring typos and omissions. Come on. Is this where traditional print media is going?

Read Sarah Hartley’s blog post on her leaving the MEN at. http://sarahhartley.wordpress.com/2009/05/01/its-goodbye-to-the-manchester-evening-news.

Read Louise Bolotin’s account of a recent NUJ meeting at Manchester Town Hall.  http://louisebolotin.com/2009/03/28/local-news-local-action

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SLUGS

April 16th, 2009

SLUGS - Safeguarding Levenshulme's Urban Greenspace Society

No, not the slippery, slimy little critters that ruined our plants last year.  But the ‘Safeguarding Levenshulme’s Urban Greenspace Society’ variety. Paradoxically these slugs (formally Secret Levenshulme Underground Gardeners) are on a mission to save Levenshulme’s green spaces.  They have recently applied for a license to turn the old  Chapel Street Community Centre space into a garden.

Want to get invovled?  This is how you can help:

  • Keep an eye on their community website at www.slugsociety.wetpaint.com for details of their next working day.
  • If you have any spare plants, please consider donating them.  In particular, cuttings of honeysuckle, clematus, virgnia creeper, roses and other climbers will be gratefully received.
  • If you have the time, you might want to put a group together to work on smaller projects such as setting up a herb garden.
  • If you have any experience in fund raising, get in touch!

Further details can be found at www.slugsociety.wetpaint.com

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Those Pictures I Mentioned

April 15th, 2009

You know those pictures I mentioned?  Well here they are.  At last.

Walk to Sandsend

Walk to Sandsend

That day we walked along the beach to Sandsend.  It was one of those days you only get at the seaside.  We were both slightly sunburned but it was cold at the same time.  And windy too.   You could see the wind gathering momentum.  The sand rippling as though emanating the sea.  Eyes firmly closed against its stinging force.  And the sound of it.  At times I wasn’t sure where the wind ended and the sea began.

Walk to Sandsend

At the end of the beach we were surprised to find an art gallery.

Turnstone Gallery

Sandsend Cafe

After a warming cup of tea we decided against the bus and walked back again along the beach.  The sun was getting lower in the sky and the sea crept slowly back up the beach, reclaiming sand and rock.

Whitby Beach

That night I opened the windows in the apartment to listen.  To the wind and sea.  That distant roar.

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